Wolves Lit Fest 2025

We’ve been involved with Wolves Lit Fest since it first started, and it’s been joyous to watch it establish itself and go from strength to strength. As this year’s festival slips away into the rear view mirror, here’s our thoughts on it. This is going to be a long post, so make yourself a cuppa and settle in…

The 2025 festival built on the success of previous years, bringing loads of visitors here to enjoy our city, and giving those of us who live in Wolverhampton something they can be massively proud of. There was a perfect blend of events – big names to bring in the crowds, and plenty of opportunities for local creatives to get up behind the mic and share their work with the public, too. That’s massively important as far as we’re concerned – and we’ll talk more about that later. For now, here’s a review of all the stuff we enjoyed and curated over the last weekend…

Friday

Each year, well in advance of the festival, we recommend a headline poet we think would be a great addition to it. Then we leave them and the festival organisers to hammer out an agreement, and hope they can make it happen. This year, we’d suggested Hollie McNish – who is absolutely brilliant – and we were delighted that her Friday night show in the city’s Art Gallery sold out way before the festival weekend. There are few poets who can hold an audience of over 140 in the palm of their hand, but Hollie is definitely one. We laughed far more than poetry audiences normally do, and the queue for signed copies of Hollie’s book ‘Lobster’ stretched all the way back up the gallery stairs at the end of the night.

Saturday.

We’ve run a Fringe Room at Wolves Lit Fest for several years now. It started in the upstairs room of the Lych Gate, moved to the Purity Bar after the pandemic, and has now found its home in the Tilston at the city’s Arena Theatre. In the tradition of Fringe, the shows are free for the audience to come and watch, but they have to pay to leave. More accurately, they lob into the hat whatever they think the show was worth, with all the money going direct to the performer. We always put on five shows, each of them roughly fifty minutes long. It’s a full-on day, but it is absolutely worth it, and the audience numbers speak for themselves – the room was packed! Huge thanks to our performers Susan Murray, Naomi Paul, Robin Ince, Date Night (Autumn & Hannah), and Lee Nelson.

Those of you who were there will know that Robin asked for the money in his hat to go to a local charity. We have now donated all £225 to Base 25, who work with young people across Wolverhampton. Thank you, Robin.

At some point in the afternoon, Steve sloped off to MC the event for the poetry competition winners – and shortlisted poets – in the Arena’s main room (you can see videos of the winning poems here, if you haven’t already) Our thanks to all the poets who came along to this, and a special mention to Wolverhampton poet John Woodall, who read his 2nd prize poem and hotfooted it down to the Molineux to watch Wolves-Villla. The actions of a man who loves misery, we all thought. And how wonderfully wrong we were proved to be!*

With the Fringe Room wrapped up we just had time to head to a noodle bar for a bite to eat, and then it was time for Stars of Slam. One event; five brilliant poetry slam winners. This was an evening of poetry to savour – no headliner, just five excellent poets sharing equal billing – with a rapt audience thoroughly entertained from the first moment to the last. If you get the chance to see Ben Davis, Brenda Read-Brown, Prince Acquah, Morgan Birch, or Bradley Taylor wherever you live, we recommend you grab it with both hands.

We went home absolutely buzzing.

Sunday

This is always a quieter day for us (hallelujah!) but a really important one. We curate the Writers’ Hub at the city’s art gallery. It’s a really important part of the festival programme, giving dozens of local writers the opportunity to share their work in public. For some of them, it’s the first time they’ll have got up behind (or is it in front of?) a mic, and it’s always wonderful to see how doing that changes their perception of what they can do with their work and what’s possible for them. This year, ten different writers’ groups from across the city and beyond gathered together to share their work. That’s maybe ninety local writers actively participating in the city’s arts scene, from first timers like Tettenhall Writers (hope we see you again!) to veterans like Bridgnorth and Coachhouse Writers.

And then, in the blink of an eye, it was Sunday evening, and time to retire to the pub for the traditional –and much-needed – debrief. We’ve spent years perfecting that, too.

Now, for reading this far, a little bonus: over the past few months Emma’s been busy working with a choir in Shrewsbury (the Mere Singers) writing a poem on a subject they wanted, after which a composer turned it into a choral piece for the choir to sing. The poem and song were finally released today, and you can watch and listen to them here. Enjoy. These are utterly magnificent.

And finally….

*We’re not saying that the positive effect of Lit Fest is exactly why Wolves beat Villa 2-0 on Saturday evening, we’re just saying that any reasonable person would recognise the part the Lit Fest played.

Wolves Lit Fest Poetry Slam

Last night we returned to the Arena Theatre in Wolverhampton for the city’s annual poetry slam. Fifteen poets battling it out in front of over 100 people, with some truly incredible prizes – we’re sure our winners are enjoying the finest literary offerings available to humanity even as we type.

The slam is one of our favourite events of the year. Not least because we never know what’s going to happen. Poets who’ve never competed in a slam before rub shoulders with slam veterans. A serious poem may be followed by a comic offering, a poem which closely observes everyday life, or a surreal flight of fancy. The whole evening is a celebration of the craft of poetry and the fifteen individuals who are getting up behind the mic on the night, and the generous response of our audience – some of whom have never been to any kind of poetry night before – shows how appreciative they are.

Last night was every bit as good as we’d hoped it would be. Our thanks to each and every one of the fifteen poets for playing their part in a fantastic evening’s entertainment. Thanks, too, to our five judges (chosen at random from our audience), to everyone who came along – to listen, be moved, applaud, cheer, and enjoy a great night out – and to the Arena staff who set up the tech and make us all so welcome. We couldn’t have done it without you.

Over the course of the evening, fifteen poets were whittled down to six semi-finalists, then a final three competed for the prize of a paid gig at next year’s Lit Fest. For the first time ever, two poets tied for second place – congratulations to local poet Karen Evans, and Cal Wensley from Bristol – but this year the poetry crown was taken by David Braziel from Stafford, who went home with Jeremy Clarkson and a packet of cuppa soups. Because we know how to show our poets a good time. Oh yes we do.

P.S. If you enjoyed last night, or didn’t come and would like to see what great poetry you’ve been missing, we’re running Stars of Slam next Saturday as part of the festival. Five winners of the region’s poetry slams each get to perform a fifteen-minute set of their material. It’s going to be amazing! We suggest you get yourself a ticket quick, while they’re still there to snaffle.

PPP
26th January 2025

Base 25

Every now and then, we get to meet people who are doing incredible and important work, and making a real difference to people’s lives. Last Wednesday was one of those times. Why? Because we visited Base 25 in Wolverhampton city centre.

Base 25 is a remarkable space offering much-needed support to young people across Wolverhampton, and their Head of Service, Alan Jarvis, had invited us along to see what he and his team do. In any calendar year, they work with and support up to 9000 young people, helping them shape their lives and reach their potential. As we say, it’s vital, life-changing, important work, and it was both a pleasure and a privilege to meet the team who are so dedicated to it.

The visit also gave us the opportunity to tick another item off our collective bucket list – because of the generosity of those people who came along to our events in 2024, we’d been able to donate £355.27 to Base 25, and one of the reasons we’d been asked to visit was so that we could have our photo taken to mark this. Not just any photo, either. A photo with a giant cheque, because who doesn’t love a giant cheque? Achievement level unlocked. Thanks, Alan and team. Get in!

PPP
25th January 2025

Wassail in Walsall

Yesterday we headed over to Walsall, and went to our first ever wassail, at Caldmore Community Garden. If you’re wondering what a wassail is – and we had only the vaguest idea before yesterday – it’s a traditional event held at this time of year during which apple trees are ceremonially awoken, and bad spirits scared away, after which everyone gathers round a campfire to warm up, possibly by drinking mulled cider because January can be bitterly cold (and in this case, was).

We were also in Caldmore to celebrate the launch of the garden’s poetry trail. Over the autumn, we’ve led a series of workshops – funded by Black Country Touring – encouraging people to visit the gardens and have a go at writing poems about the natural world they see around them. It’s been a lot of fun, which prompted the creation of some truly beautiful work. Job done. Or, as it turned out, not quite done. Inspired by the poems they’d seen created, the staff at the garden decided that some of the pieces should be displayed in a poetry trail and become a permanent feature in this urban oasis.

There are now more than seventy poems squirrelled around Caldmore Community Garden, and everybody who participated in the workshops will see their work represented there. If that doesn’t warm your cockles on a cold January evening, we don’t know what will.

PPP
19th January 2025

Up and Running

Last night, just five days into the year, we held our first poetry event of 2025. Yes We Cant, on Zoom. And because we were still stumbling out of the festive season, stuffed with mince pies and awash with Baileys and mulled wine, we had a collective read-around, with everyone getting the opportunity to read a piece of their work. That meant twenty-four different voices, all sharing their words to an appreciative audience. It’s the beauty of poetry. It’s what we love about what we do.

It also gave us the opportunity to share some good news. Each calendar year, PPP chooses a local charity to support. We do this because we believe poetry doesn’t – and shouldn’t – exist in a bubble, but needs to be involved in its local community. Over the course of the year, we raise money for the charity by putting a small self-imposed tax on our own work, but also by pooling all the shrapnel left from our events over the course of the year once our feature poets have been paid. The generosity of the folk who attend our nights is key to this scheme’s success.

Photo by Liza Summer from Pexels
https://www.pexels.com/photo/crop-anonymous-person-showing-donation-box-6348119/

In 2024, our chosen charity was Base 25, and we’re delighted that we raised a total of £355.27 to support their work with young people in Wolverhampton. Our heartfelt thanks to everyone who came along to our events last year and threw money in the virtual hat – you made this possible. You’re stars, every one of you.

Our charity for this year is going to be Hands 2 Help U, which is a food bank, clothing bank, and one-stop resource doing incredible work in our part of the Black Country. Thank you in advance for helping us to help them.

PPP
7th January 2025

A PPP 2024 Retrospective

Ten days till 2024 bids us farewell, and it only seems like yesterday that we were making grand plans about what we’d do this year…. The other night, over a few beers, we scribbled down a list of everything we actually managed to do over the past twelve months. It’s pretty impressive (if we say so ourselves).

Yes We Cant (that’s our monthly poetry night, if you didn’t know) celebrated its 7th birthday in June – Liz Berry headlined! – and is still an online event. One of our priorities in 2025 is finding a venue with full disabled access and excellent wi-fi so we can start running in-person hybrid events. Watch this space for more news on that.

We’ve also kept serving regular helpings of PASTA (our open-mic night) at Arena Theatre in Wolverhampton. Between that and Yes We Cant, we reckon we’ve provided at least two hundred open-mic opportunities over the year. You couldn’t ask for a better snapshot of the health of our local grass-roots poetry scene!

On top of that, we’ve run poetry slams in Wolverhampton, Shrewsbury, and Ironbridge. We’ve worked on poetry projects with Good Shepherd in Wolverhampton, and Caldmore Community Gardens in Walsall, and offered Poetry on Demand at BlackBerry Fair in Shropshire. We took Wolverhampton poets up to Morecambe Poetry Festival for a showcase (they smashed it), and this autumn we set up a new writers’ group in Willenhall which is already going from strength to strength.

Away from poetry – but very much in touch with our passion for championing our region – we ran an oral history project about the Tavern in the Town rock pub in Wolverhampton, collecting stories and anecdotes and memories, working with photographer Nicole Lovell, distributing 2000 copies of a free newspaper, and putting on an exhibition in Wolverhampton city centre. All the material we collected is now with Wolverhampton City Archives, but you can see what we did here.

We’ll be winding down a little over the festive period, but never quite stopping. We’ve entries to the Wolves Lit Fest poetry comp to log – that closes as the year ends – while on Boxing Day we’ll be drawing names out of the PPP Hat of Poetry Chance to see who’s going to be part of the Wolves Lit Fest slam. If you fancy taking part, you’ve got till midnight on Xmas Eve to get in touch. Oh, and tickets for the slam make excellent Xmas presents, if you’re in the market for last-minute shopping.

The festival itself runs from 31 Jan – 2 Feb and has a host of great events (we’re delighted that Hollie McNish gig is already sold out!). We’ll be there all weekend, running the Fringe Room, putting on Stars of Slam, and looking after the Writers’ Hub. If you pop along (and why wouldn’t you?) be sure to come and say hallo.

Wishing you all the very best over the festive season, however you (do or don’t) celebrate it. And may 2025 be good to every last one of you. You deserve it.

Ho Ho Ho

PPP

December Poetic Shenanigans

December. We’re racing toward the fag end of 2024, so we kicked off the final month of the year with a burst of poetic activity. Well, why wouldn’t you?

The day started with two workshops at Wolves Art Gallery, in conjunction with their incredible ‘Painted Dreams’ exhibition. This recreates the original and groundbreaking 1907 exhibition of paintings and pastel drawings by artist Evelyn de Morgan – which was the first ever UK solo exhibition by a female artist –  and it’s absolutely magnificent. If you haven’t already been to see it, you’ve got until early March, but don’t hang about, because you’ll want to visit more than once.

Our workshops invited participants to each create a piece of ekphrastic poetry in response to Evelyn de Morgan’s work, and we’re delighted to say that the poems they drafted clearly showed how much of an impact her paintings had on them. Our hope is that the finished poems will be available for visitors to the exhibition to read – hopefully by the time Wolves Lit Fest rolls around at the end of January. More news on that when we have it.

A quick dash home in the last of the daylight, a bite to eat, and it was time for our last Yes We Cant of the year. Reader, what a belter it was! Our open mic poets excelled themselves; ‘Alf Ender Sarah L Dixon entertained with poems in praise of 90s indie music; and our headliner Kim Moore presented us with the gift of new and astounding poems from her forthcoming book. Yes We Cant is always a highlight of our month, but this one was exceptional. We couldn’t have asked to finish the year on a better note.

Now, we’ll be putting our feet up for a well-earned (and much-needed) rest. Our huge thanks and appreciation to everyone who’s supported and enjoyed our work over the course of 2024. We’ll be back again in 2025. If you need a poetry fix in the meantime, the Wolves Lit Fest poetry competition is open to entries until the end of the year (details on our website), and if you’re looking for a unique present for friends and family, then tickets for the 2025 Wolves Lit Fest poetry slam (trumpet-blowing alert: this is undoubtedly one of the best poetry slams around, so ignore it at your peril) are now on sale. You can get yours here.

From here on, we’ll be living the festive dream with lebkuchen, mistletoe, and mulled wine. What could possibly go wrong?

See you in the New Year.

PPP

Scouting at Morecambe Poetry Festival

With Poets, Prattlers, and Pandemonialists (PPP) I put on a lot of events, work with a lot of poets and therefore am always on the lookout for people that will be a good fit for the things that we do. We also suggest acts to organisations and festivals we work with (usually the ones we can’t afford to put on ourselves, but would like to see perform where we live ☺). So a good festival, with lots going on in one place, is always attractive. And my goodness, Morecambe is a good festival. It’s the second year that PPP have been in attendance.

I got there on the Thursday evening for the opening event, a low-key event in a brewery tap house. It was a chance to catch up with familiar faces and listen to Sarah L Dixon read from her new collection, based on a music fan’s experience of growing up in an indie music scene. We’re delighted that Sarah will be joining us as ’Alf Ender for our Christmas online Yes, We Cant. We haven’t announced our headliner for that evening as yet…but we’re very excited about who it is…suffice to say it’ll be a belter.

Friday daytime I attended a symposium on spoken word. It’s always useful to find out how people from other parts of the country are dealing with similar things to you. It seems the post-pandemic scene is not as it was in the before times, in part it’s due to lack of money, getting free accessible venues etc. There was agreement that lack of money to book headliners was impoverishing the scene and that though open mics are wonderful and necessary, so are events where people get to see established or emerging artists and are opened up to a wider understanding of what spoken word can be. The increasing costs of rail travel – and the unreliability of said travel – is prohibitive to getting headliners in when nights only have a small budget. How do we address that? Answers on a postcard, please.

Next up was Rowan McCabe, who performed his Door-to-Door Poet show. It was exceptional. I loved it from start to finish. It was upbeat and funny, moving too. Rowan is a fantastic performer and a very likeable character. It’s definitely a show/performer that PPP would like to book somewhere down the line.

In the evening, I watched Mike Harding in The Winter Gardens. This was a good event, very enjoyable, in an incredible venue which is in the process of being restored. The Friday night shenanigans carried on with Henry Normal and then Attila the Stockbroker in the Kings Arms, where the party went on until 2am.

Like most festivals, it’s hard to do everything you want to. There aren’t clashes as such, just wall to wall poetry, so I recommend scheduling breaks, and picking and choosing what you’re going to see – even if you’re a complete poetry party animal.

Saturday started at noon with an open mic. Another chance to see new faces, folk who are just starting out, and I’m always on the lookout for someone who’ll be the perfect fit for something we’re planning. Open mic finished, next up was Robin Ince. He was absolutely great. Which is a relief, as PPP have booked Robin for Wolves Lit Fest Fringe Room in 2025 (February 1st – put the date in your diary!)

One of our roles at Morecambe was to bring Midlands poets to the festival. We were delighted to give a platform to Kenton Samuels, Gracie Bee, and Priyanka Joshi. Three very different poets with very different styles, who were all brilliant. The audience was very receptive, there was a bit of dancing (courtesy of Gracey!), and there were whoops and cheers at the end of the hour. All three poets are featured in Offa’s Press ‘New Voices’ anthology, and the books sold out.

After that excitement I had a bit of a wander around – there are some lovely views and fantastic sculptures along the seafront – and got some food. It’s great to walk out of a venue and have Morecambe Bay to marvel at. Then it was back into the poetry fray once more…

I watched Donna Ashworth, currently the best-selling poet in the UK. Her brand of popular poetry took off on social media over lockdown. She was warm, consummately professional, held the audience in the Winter Gardens, and – judging by the queue of people buying books – Donna will have been very popular with her publishers since she appeared on the scene.

Next it was the turn of Alistair McGowan. I’ll be honest, I didn’t know what to expect. What I got was a massively entertaining mix of impressions, anecdotes, and bloody good poetry. There was a sort of contemporary Betjeman quality to the work. He’d be on my wish list to book…although I imagine we’d need to whisper into the ears of festival directors to make that one happen. But you know…nothing ventured and all that.

Then I watched Raymond Antrobus over at the King’s Arms before heading back to the B&B. I’d never seen him before but had heard a lot about him. The room was rapt.

Sunday. Another open mic start to the day, which I enjoyed. But I was really there for Helen Ivory and Martin Figura. Martin is one of my favourite poets. I’ve seen him perform three times now, twice in person and once online (for Yes, We Cant). He was even better than I remembered. On fire, he was.

Helen read from her new book ‘Constructing a Witch’ published by Bloodaxe. The poems are beautifully crafted. They’re the kind of poems that you need to hear more than once. I bought one of the pre-launch copies, and I’ve been reading it ever since. It’s very, very good. Layers. Lots to think about. A very unique style.

I watched a few more poets during the afternoon, with a range of varied styles. It’s the great thing about a festival. There’s something for everyone. Kate Fox’s show was really interesting…so much to take in. I really, really want to see it again. Notes were made in the PPP notebook.

I’d also been looking forward to seeing Big Charlie Poet, who’d got a new book out. He was struggling with a cold. Not that you’d have known. He did a lovely, warm reading. PPP like Charlie’s work, so much so we’ve booked him…he’s on at this evening’s Yes, We Cant (checks watch…in approximately 20 minutes at time of writing!). Told you we’re always on the lookout.

By the time Pam Ayres was on at the Winter Gardens I was flagging, but she is utterly brilliant and soon I was feeling energised again. A natural, gracious, entertaining raconteur. I don’t know how she does it, but you feel like a friend is nattering to you over a table rather than that you’re sitting thirty rows back in a theatre. She just draws you in. Funny and fun. And again, watching the queue for books and selfies (which she was wonderfully game for), she’s probably pleasing her publishers as well as her fans.

I sloped off knackered after that. But the poetry party continued, and this year’s festival wound up with the Manky Mates’ tribute to the rare talent that was Jackie Hagan (RIP), who had performed so wonderfully at the festival last year supporting Roger McGough.

I had a few games of pool before going to bed. I hadn’t played since before the pandemic and the sight of a pool table was too much of a draw not to. Poetry and pool, two of my favourite things. And Morecambe did not disappoint.

Emma Purshouse
5th November 2024

Painted Dreams

Every now and then, Wolverhampton excels itself. In 1927, it was the first town in the country to install a set of automatic traffic lights (as any fule kno). But twenty years earlier, it had also caused something of a sensation in the world of art, when the town’s Art Gallery offered a solo exhibition to the painter Evelyn De Morgan. This was the first time a modern gallery had ever dedicated an exhibition to the work of a single female artist (honourable mention here to the gallery’s curator, JJ Brownsword, who had been so impressed by Evelyn’s paintings that he contacted her directly to ask her to lend her works to Wolverhampton – the rest, as they say, is history).

The city’s Art Gallery is currently re-creating this groundbreaking show. And it’s a belter. If you’ve an hour to two to spare at any point between now and March 9th next year, when the ‘Painted Dreams’ exhibition closes, you really should pay it a visit. We popped in today, and we were blown away. We can’t recommend it highly enough.

Which leads us seamlessly on to news of the poetry workshop we’ll be running – in conjunction with Wolverhampton Literature Festival – on Sunday December 1st. This will be a unique opportunity, with a very limited number of places, to create poems responding to Evelyn’s paintings, and we expect tickets to be snapped up fast. Get yours here.

Having seen the exhibition, we’re more excited than ever to be leading this one-off, never-to-be-repeated event, celebrating Wolverhampton’s foresight in giving Evelyn the solo exhibition she so richly deserved all those years ago.

Hats off to our city for excelling itself. Again.

Steve Pottinger
2nd November 2024

PASTA October 2024

Tuesday 15th October was another helping of PASTA. We were entertained with rich words on buses, public transport, and lamb[1] based meals. But it wasn’t just entertainment. It was also educational. Did you know there are some trees in Walsall Arboretum that smell of toffee apples? No, nor did I[2]. Did you know one of our poets cannot swear in front of Canadian people? No, nor did I. Did you know there might be a connection between driving a Mercedes on Wolverhampton Ring Road and public displays of self-satisfaction? No, nor did I? But I did have my suspicions about that one.

We had poems, ballads, short stories, and Gilbert and Sullivan cover versions[3]. More importantly we had those people who are “nervous” but managed to push those fears into the ground long enough to walk to the mic and deliver some great works. Back in the day when the three P’s first sat in a pub we wanted a way to bring new people into poetry and get people to perform for the first time. PASTA is an amazing and unique platform for rookies and long may that continue.

Next month’s PASTA is on Tuesday 19th November. The theme is “I” or if you hold it upside down… well, it’s still “I”. But if you hold it sideways it could be “H”. It could even be “1”. So write some stuff about yourself, about Arnold Rimmer[4] or about Malcolm McDowell[5].

See you in November.


[1] I’m sure Emma and Steve would like to point out vegetarian versions of lamb are available.

[2] They smell of toffee apples even if there isn’t a caravan next to them selling toffee apples.

[3] Acapella and with slightly different lyrics.

[4] A reference which probably went over the heads of everyone under 50.

[5] A reference which probably went over the heads of everyone who doesn’t watch semi-obscure British Gangster films.