December. We’re racing toward the fag end of 2024, so we kicked off the final month of the year with a burst of poetic activity. Well, why wouldn’t you?
The day started with two workshops at Wolves Art Gallery, in conjunction with their incredible ‘Painted Dreams’ exhibition. This recreates the original and groundbreaking 1907 exhibition of paintings and pastel drawings by artist Evelyn de Morgan – which was the first ever UK solo exhibition by a female artist – and it’s absolutely magnificent. If you haven’t already been to see it, you’ve got until early March, but don’t hang about, because you’ll want to visit more than once.
Our workshops invited participants to each create a piece of ekphrastic poetry in response to Evelyn de Morgan’s work, and we’re delighted to say that the poems they drafted clearly showed how much of an impact her paintings had on them. Our hope is that the finished poems will be available for visitors to the exhibition to read – hopefully by the time Wolves Lit Fest rolls around at the end of January. More news on that when we have it.
A quick dash home in the last of the daylight, a bite to eat, and it was time for our last Yes We Cant of the year. Reader, what a belter it was! Our open mic poets excelled themselves; ‘Alf Ender Sarah L Dixon entertained with poems in praise of 90s indie music; and our headliner Kim Moore presented us with the gift of new and astounding poems from her forthcoming book. Yes We Cant is always a highlight of our month, but this one was exceptional. We couldn’t have asked to finish the year on a better note.
Now, we’ll be putting our feet up for a well-earned (and much-needed) rest. Our huge thanks and appreciation to everyone who’s supported and enjoyed our work over the course of 2024. We’ll be back again in 2025. If you need a poetry fix in the meantime, the Wolves Lit Fest poetry competition is open to entries until the end of the year (details on our website), and if you’re looking for a unique present for friends and family, then tickets for the 2025 Wolves Lit Fest poetry slam (trumpet-blowing alert: this is undoubtedly one of the best poetry slams around, so ignore it at your peril) are now on sale. You can get yours here.
From here on, we’ll be living the festive dream with lebkuchen, mistletoe, and mulled wine. What could possibly go wrong?
With Poets, Prattlers, and Pandemonialists (PPP) I put on a lot of events, work with a lot of poets and therefore am always on the lookout for people that will be a good fit for the things that we do. We also suggest acts to organisations and festivals we work with (usually the ones we can’t afford to put on ourselves, but would like to see perform where we live ☺). So a good festival, with lots going on in one place, is always attractive. And my goodness, Morecambe is a good festival. It’s the second year that PPP have been in attendance.
I got there on the Thursday evening for the opening event, a low-key event in a brewery tap house. It was a chance to catch up with familiar faces and listen to Sarah L Dixon read from her new collection, based on a music fan’s experience of growing up in an indie music scene. We’re delighted that Sarah will be joining us as ’Alf Ender for our Christmas online Yes, We Cant. We haven’t announced our headliner for that evening as yet…but we’re very excited about who it is…suffice to say it’ll be a belter.
Friday daytime I attended a symposium on spoken word. It’s always useful to find out how people from other parts of the country are dealing with similar things to you. It seems the post-pandemic scene is not as it was in the before times, in part it’s due to lack of money, getting free accessible venues etc. There was agreement that lack of money to book headliners was impoverishing the scene and that though open mics are wonderful and necessary, so are events where people get to see established or emerging artists and are opened up to a wider understanding of what spoken word can be. The increasing costs of rail travel – and the unreliability of said travel – is prohibitive to getting headliners in when nights only have a small budget. How do we address that? Answers on a postcard, please.
Next up was Rowan McCabe, who performed his Door-to-Door Poet show. It was exceptional. I loved it from start to finish. It was upbeat and funny, moving too. Rowan is a fantastic performer and a very likeable character. It’s definitely a show/performer that PPP would like to book somewhere down the line.
In the evening, I watched Mike Harding in The Winter Gardens. This was a good event, very enjoyable, in an incredible venue which is in the process of being restored. The Friday night shenanigans carried on with Henry Normal and then Attila the Stockbroker in the Kings Arms, where the party went on until 2am.
Like most festivals, it’s hard to do everything you want to. There aren’t clashes as such, just wall to wall poetry, so I recommend scheduling breaks, and picking and choosing what you’re going to see – even if you’re a complete poetry party animal.
Saturday started at noon with an open mic. Another chance to see new faces, folk who are just starting out, and I’m always on the lookout for someone who’ll be the perfect fit for something we’re planning. Open mic finished, next up was Robin Ince. He was absolutely great. Which is a relief, as PPP have booked Robin for Wolves Lit Fest Fringe Room in 2025 (February 1st – put the date in your diary!)
One of our roles at Morecambe was to bring Midlands poets to the festival. We were delighted to give a platform to Kenton Samuels, Gracie Bee, and Priyanka Joshi. Three very different poets with very different styles, who were all brilliant. The audience was very receptive, there was a bit of dancing (courtesy of Gracey!), and there were whoops and cheers at the end of the hour. All three poets are featured in Offa’s Press ‘New Voices’ anthology, and the books sold out.
After that excitement I had a bit of a wander around – there are some lovely views and fantastic sculptures along the seafront – and got some food. It’s great to walk out of a venue and have Morecambe Bay to marvel at. Then it was back into the poetry fray once more…
I watched Donna Ashworth, currently the best-selling poet in the UK. Her brand of popular poetry took off on social media over lockdown. She was warm, consummately professional, held the audience in the Winter Gardens, and – judging by the queue of people buying books – Donna will have been very popular with her publishers since she appeared on the scene.
Next it was the turn of Alistair McGowan. I’ll be honest, I didn’t know what to expect. What I got was a massively entertaining mix of impressions, anecdotes, and bloody good poetry. There was a sort of contemporary Betjeman quality to the work. He’d be on my wish list to book…although I imagine we’d need to whisper into the ears of festival directors to make that one happen. But you know…nothing ventured and all that.
Then I watched Raymond Antrobus over at the King’s Arms before heading back to the B&B. I’d never seen him before but had heard a lot about him. The room was rapt.
Sunday. Another open mic start to the day, which I enjoyed. But I was really there for Helen Ivory and Martin Figura. Martin is one of my favourite poets. I’ve seen him perform three times now, twice in person and once online (for Yes, We Cant). He was even better than I remembered. On fire, he was.
Helen read from her new book ‘Constructing a Witch’ published by Bloodaxe. The poems are beautifully crafted. They’re the kind of poems that you need to hear more than once. I bought one of the pre-launch copies, and I’ve been reading it ever since. It’s very, very good. Layers. Lots to think about. A very unique style.
I watched a few more poets during the afternoon, with a range of varied styles. It’s the great thing about a festival. There’s something for everyone. Kate Fox’s show was really interesting…so much to take in. I really, really want to see it again. Notes were made in the PPP notebook.
I’d also been looking forward to seeing Big Charlie Poet, who’d got a new book out. He was struggling with a cold. Not that you’d have known. He did a lovely, warm reading. PPP like Charlie’s work, so much so we’ve booked him…he’s on at this evening’s Yes, We Cant (checks watch…in approximately 20 minutes at time of writing!). Told you we’re always on the lookout.
By the time Pam Ayres was on at the Winter Gardens I was flagging, but she is utterly brilliant and soon I was feeling energised again. A natural, gracious, entertaining raconteur. I don’t know how she does it, but you feel like a friend is nattering to you over a table rather than that you’re sitting thirty rows back in a theatre. She just draws you in. Funny and fun. And again, watching the queue for books and selfies (which she was wonderfully game for), she’s probably pleasing her publishers as well as her fans.
I sloped off knackered after that. But the poetry party continued, and this year’s festival wound up with the Manky Mates’ tribute to the rare talent that was Jackie Hagan (RIP), who had performed so wonderfully at the festival last year supporting Roger McGough.
I had a few games of pool before going to bed. I hadn’t played since before the pandemic and the sight of a pool table was too much of a draw not to. Poetry and pool, two of my favourite things. And Morecambe did not disappoint.
Every now and then, Wolverhampton excels itself. In 1927, it was the first town in the country to install a set of automatic traffic lights (as any fule kno). But twenty years earlier, it had also caused something of a sensation in the world of art, when the town’s Art Gallery offered a solo exhibition to the painter Evelyn De Morgan. This was the first time a modern gallery had ever dedicated an exhibition to the work of a single female artist (honourable mention here to the gallery’s curator, JJ Brownsword, who had been so impressed by Evelyn’s paintings that he contacted her directly to ask her to lend her works to Wolverhampton – the rest, as they say, is history).
The city’s Art Gallery is currently re-creating this groundbreaking show. And it’s a belter. If you’ve an hour to two to spare at any point between now and March 9th next year, when the ‘Painted Dreams’ exhibition closes, you really should pay it a visit. We popped in today, and we were blown away. We can’t recommend it highly enough.
Which leads us seamlessly on to news of the poetry workshop we’ll be running – in conjunction with Wolverhampton Literature Festival – on Sunday December 1st. This will be a unique opportunity, with a very limited number of places, to create poems responding to Evelyn’s paintings, and we expect tickets to be snapped up fast. Get yours here.
Having seen the exhibition, we’re more excited than ever to be leading this one-off, never-to-be-repeated event, celebrating Wolverhampton’s foresight in giving Evelyn the solo exhibition she so richly deserved all those years ago.
Tuesday 15th October was another helping of PASTA. We were entertained with rich words on buses, public transport, and lamb[1] based meals. But it wasn’t just entertainment. It was also educational. Did you know there are some trees in Walsall Arboretum that smell of toffee apples? No, nor did I[2]. Did you know one of our poets cannot swear in front of Canadian people? No, nor did I. Did you know there might be a connection between driving a Mercedes on Wolverhampton Ring Road and public displays of self-satisfaction? No, nor did I? But I did have my suspicions about that one.
We had poems, ballads, short stories, and Gilbert and Sullivan cover versions[3]. More importantly we had those people who are “nervous” but managed to push those fears into the ground long enough to walk to the mic and deliver some great works. Back in the day when the three P’s first sat in a pub we wanted a way to bring new people into poetry and get people to perform for the first time. PASTA is an amazing and unique platform for rookies and long may that continue.
Next month’s PASTA is on Tuesday 19th November. The theme is “I” or if you hold it upside down… well, it’s still “I”. But if you hold it sideways it could be “H”. It could even be “1”. So write some stuff about yourself, about Arnold Rimmer[4] or about Malcolm McDowell[5].
See you in November.
[1] I’m sure Emma and Steve would like to point out vegetarian versions of lamb are available.
[2] They smell of toffee apples even if there isn’t a caravan next to them selling toffee apples.
This afternoon, as part of our series of events bringing poetry to Caldmore Community Gardens, we held an open mic event for anyone who wanted to share their poems (especially ones on the theme of nature). It was a cold, grey October day, but we had twenty-five people turn up. Not too shabby!
Our thanks to MC Gracey Bee, to Jane Flint Bridgwater for some wonderfully atmospheric harp music, to Anna, Anna, and Estelle for the coffee, cakes, and samosas, and to everyone who shared their work. It was great to hear so many different voices – and to have people say how much our series of workshops has helped build their confidence in their writing. That’s a huge result in our book!
The next Caldmore workshop? Sunday 20th October, when we’ll be writing poems and doing a seed swap. Bring seeds from your garden, take some new ones back with you. See you there!
Tomorrow, we’re at BlackBerry Fair in Whitchurch. This is one of our favourite events of the year – we spend all day sitting on a sofa at the side of the high street, writing bespoke poems for folk who’ve come along to enjoy and take part in the festival. Over the years, we’ve written dozens: for grandparents and grandchildren, pet dogs and pirates. We can’t say how much we love this – although that love has been tested in years when the weather’s been a bit grim. We get to chat with so many fascinating people, and we never know what we’re going to be asked to write about next. It may not be every poet’s cup of tea, but it’s definitely ours! If you’re there, pop by and say hallo.
On Sunday afternoon we’re back in the West Midlands, at Caldmore Community Gardens in Walsall, running an open mic to celebrate nature (and National Poetry Day). Gracey Bee is our MC, it’s free to attend, it’ll be fun and friendly, and there may well be samosas. If you’ve a poem you want to read, or just want to come along and listen, you’ll be very welcome.
And once that’s finished, we hotfoot it over to Zoom for October’s Yes We Cant. Our headliner this month is Jonathan Humble, the man behind Dirigible Balloon, and our ‘Alf Ender is Ash Bainbridge. All the open mic spots have been filled already, but there’s still time to join our audience. Get in touch if you fancy curling up on your sofa with some great poetry to round off your weekend.
Yes We Cant, for those of you who don’t know – and yes, it’s cant without the apostrophe, cant as in natter or blather or chat – is our long-running poetry night. Held on the first Sunday of the month, originally in the Pretty Bricks pub in Walsall, then moving online during the pandemic. It’s stayed online since then, partly because we built up a loyal audience of folk who wouldn’t necessarily be able to make it to a physical event, and partly because we haven’t yet found a venue which meets all our needs about accessibility, cost, and the facility for us to host a hybrid poetry night which can be attended by folk in both the real and the virtual world.
At each Yes We Cant we have ten open-mic poets (a strict four minutes each), an ‘Alf Ender (a poet who’s recently had a collection of their work published) and a headline poet (who’s, er, the headliner). And over the years we’ve put on some of the very biggest and best names in UK poetry while creating a friendly, welcoming, pay-as-you-feel space for poets and audience alike.
All this preamble is by way of letting you know that the next Yes We Cant is on Sunday October 6th, on Zoom, at 7.30pm. Our headliner is Jonathan Humble, the force behind Dirigible Balloon; our ‘Alf Ender is Ash Bainbridge; there are ten open mic spots waiting to be claimed. As always, first dibs on those go to folk who’ve never read with us before, or haven’t read at Yes We Cant for a while. Get in touch if you’d like to read, or if you simply want to join our audience.
And there’ll be a half-time video of something obscure and wonderful, courtesy of our very own Dave Pitt. What’s not to like, folks? What’s not to like?
Many years ago, when the world was still young [2018: ed] we found ourselves looking for an easily accessible listing of West Midlands poetry events, with all the necessary details for folk who might be interested in going along to them, and found… nothing. So we decided to do something about it, and – being cheeky wee scraps – we created our very own Mappa Mundi, listing all the events and venues we could. We still believe that in doing so, we corrected the appalling oversight in the original Hereford map, which – for all its qualities – is next to useless for poets.
Then Covid happened, live poetry took something of a back seat, and the need for our Mappa Mundi fell away. We put it in the back of a dusty cyber-drawer, and forgot about it. Almost. Finding ourselves with a little time on our hands this summer, we unrolled it, laid it out on a table, and set about updating it. It turns out that some of the poetry nights from our 2018 map are still flourishing. Others have disappeared. And there are a fair few new kids on the block, too, as the regional poetry scene evolves and changes, ebbs and flows.
You’ll find all of them here https://pandemonialists.co.uk/mappa-mundi/ There’s the wonderful image designed by artist Catherine Pascall Moore, which tips its hat at the Hereford Mappa, while all the poetry and spoken word events are on a slightly more modern and tech-friendly Google map. We’ve included nights which lie just outside the West Mids county too, because why not? Who wouldn’t fancy a trip to Worcester, or Ironbridge, or Hinckley to listen to poetry once in a while? And if you run a regular event we don’t know of, get in touch and we’ll add it to the listing.
The poets list on the map? We know that’s not up to date. And we’ll get round to revamping that at some point. But for now, use this list of events to get out there, listen to poetry, share your own, meet people, and keep this regional, grassroots arts scene thriving.
Whenever you return to a gig after a bit of a break for the Summer you always wonder if it will have a negative impact. Will everyone have suddenly discovered a new poetry night which is split into two halves with the first half being on a theme and the second half being on any subject and all held together with shambolic professionalism? It’s possible. We imagine there are thousands out there. Somewhere.
If there are, it didn’t have a negative effect. What a night! As always a wide mix of voices took their turns to entertain what we’re sure is one of our biggest PASTA audiences ever. It didn’t matter if it was juxtaposing football with a new term at Uni, talking about a dream world where writing is financially viable or expert use of the word “protozoa” – we had big laughs, rich language and provoked thoughts.
Now I don’t want to bring the vibe down, but you know the Pandemic? It was bonkers, wasn’t it? So it was nice to not only see some new faces trying their hand but also seeing some old faces us PPPers hadn’t seen since the “before times” of a pre-pandemic world. We miss your faces. We hope you’ll be back.
As always, seeing those people who trust the event enough to make it the first time they read their work in front of an audience proves we’re doing something right. And it also shows how nice and supportive you all are as an audience.
Thinking about it, it’s amazing there aren’t thousands of nights like this. People obviously want this stuff. Then again, maybe it’s because in that place, with these people, there’s a bit of magic happening you can’t get elsewhere.
Whatever makes the magic next month will be worth a punt. If you want to pop along it’s 15th October at The Arena Theatre and the theme is “BUSES” or maybe “BUZZES” if you’re Black Country.
It was an incredible Ironbridge Slam 2024 yesterday. A lovely venue and an almost impossible job for the judges. Top notch poetry and performance all afternoon until we finally crowned our winner Brenda Read-Brown. With David Braziel in 2nd place and Ryan Kenny in 3rd. Thanks to everyone who joined us, to the venue for being such wonderful hosts and the techs who made everything go seamlessly.
See you next year.
And if you enjoyed the music played before the event and during the interval…
